Image: Matthew Barney, Cremaster 4, 1994 (detail)
Amongst the lapiths and centaurs, the gods and men, we find footballers, boy-racers and post-Freudian gladiators playing out an ancient gameplan in the Elysian fields of art. — Adrian Searle, The Guardian 29 April 1995
Cremaster 4 is the first work from Matthew Barney's acclaimed project The Cremaster Cycle. Set on the Isle of Man, the film offers up a dream-like drama of compulsive forces that course through the body of the island and the famous 37-mile TT track. Barney himself plays the Loughton Candidate, an immaculately dressed satyr who tap dances and writhes through underwater canals while three fairies picnic on the grass above. The Island race propels the bikers and satyr through the Manx landscape to an ambient soundtrack of bagpipes and motorbikes; like the heroes of medieval tales of futuristic film, they appear as expressions of pure drive and desire.
London, 28 June 2014
Whitechapel Gallery presented a day-long screening of Matthew Barney's film series The Cremaster Cycle (1994–2002) to coincide with the UK premiere of Barney's opera River of Fundament at the English National Opera. The cycle creates a mythology for the modern world: circling from Mormonism to Houdini, satyrs and nymphs to the Celtic giant Fingal and New York’s Chrysler Building. The screening was followed by a conversation between the artist and James Lingwood, Co-Director of Artangel.
Image: Exhibition guide accompanying Whitechapel Gallery's screening of the Cremaster Cycle, 2014. Image: Courtesy of Whitechapel Gallery.