"Imagine Kant writing the Critique of Judgment on a Space Hopper." (The Independent)
William Forsythe, Dana Caspersen and Joel Ryan were brought together by Artangel to re-animate The Roundhouse as a choreographic instrument tracing movement through architectural space.
Tight Roaring Circle is a return to the Greek roots of the term choreography ("the drawing of movements for a chorus; an inscription of circles") in which Forsythe and Caspersen set up an interaction between fields of light and movement within a soundscape wrought from Ryan's tuning and playing of the building itself as a vast musical instrument.
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